Trying to establish small cycles of trends in cinema is a key discipline in understanding the medium. When a theme can be seen to traverse genre but be defined by era, it perhaps states more of a sociological argument than simply an aesthetic or a narrative one. A particular group of films recently began to collect together in my own memory but the reason as … Continue reading The Ravenous Poor in Heath Era British Cinema.
The geographical make-up of a film’s scenario is often a subtle root-cause of its dramatic effect. The sense of place, both its physical and psychological attributes, can be so overwhelming that whole narratives can follow the buckling of characters under pressure from this force; to the point where their own emotional identity and personal dynamics fluctuate, reflect, and occasionally attempt to rebel against an imposing … Continue reading The Unleashing of Repressed Eroticism in Black Narcissus (1947) and The Shining (1980).
There is no excerpt because this is a protected post. Continue reading Protected: Ligeti’s Atmosphères as a Musical Foreshadowing of Kubrick’s 2001- Part 4 (Conclusions)
There is no excerpt because this is a protected post. Continue reading Protected: Ligeti’s Atmosphères as a Musical Foreshadowing of Kubrick’s 2001- Part 3 (Musical Narrative)
There is no excerpt because this is a protected post. Continue reading Protected: Ligeti’s Atmosphères as a Musical Foreshadowing of Kubrick’s 2001- Part 2 (The Musical Past)
Strange undercurrents of sexuality pervade the films of Stanley Kubrick. Though not always present explicitly, the raw presence of dark desire and physical wanting seems scattered throughout his work. From Dr Strangelove‘s ideas of selective breeding based on the “sexual characteristics that will have to be of a highly stimulating nature” to The Shining‘s most surreal haunting of a man receiving oral sex from another … Continue reading Eyes Wide Shut (1999) – Occult Sexuality
Celluloid Wicker Man 