Above is the trailer for my only short film this year and probably my last for the foreseeable. Thankfully, I think it will be one of the strongest and certainly all of the elements have come together nicely. The film is called Ness and is an adaptation of Robert Macfarlane and Stanley Donwood’s upcoming short collaboration, detailing a strange, folkloric vision of the Orford Ness … Continue reading Trailer – Ness (Robert Macfarlane & Stanley Donwood)
Having already written about the Weather Words film for Caught By The River (link here), I won’t add much more about the project. For more specific details, read that piece. It’s the first and probably only film project of mine in 2018, partly due to funding problems and partly due to other big projects taking time (finishing my PhD, editing first novel, drafting second, selling … Continue reading Short Film – Weather Words (Colin Riley feat. Robert Macfarlane)
Having detailed some of the history that inspired my last film of 2016 in this article on Caught By The River, I have very little else to say in regards to The Attempt. It’s a mixture of essay film and drama, combining a stark moment in the life of the poet, Edward Thomas, with the tragic hindsight that he was not afforded. I wanted to … Continue reading Short Film – The Attempt (Edward Thomas)
Above is the trailer for my final short of the year, a film detailing an event in the life of the poet and writer, Edward Thomas. I’ve had a personal fascination with Thomas for a few years now, properly diving into his work early last year and finding much in common with both his mentality and his style of writing. The film is based loosely … Continue reading Trailer – The Attempt (Edward Thomas)
This presentation was originally given at the Folk Horror Revival day at The British Museum (16/02/2016). My thanks to the fellow admins of the Folk Horror Revival, especially Jim Peters and Andy Paciorek. There’s an overt connection between analogue technology and the narratives surrounding paranormal activity in British horror, especially when made during the 1970s. No doubt there are connections between the interest in such … Continue reading The Ghost In The Grain: Analogue Hauntings of the 1970s
My walk around Harold Pinter’s old haunts in the east end of London has produced a number of written accounts now that, with the film that sparked of the whole venture being finally public, I’m not quite sure what else to say about it. The idea for the walk came about when I saw the, since frustratingly taken down, Harold Pinter Arena documentary which spent a … Continue reading Short Film – A Walk By Waiting (Harold Pinter, Iain Sinclair).
Above is the trailer for a very short fragment of film made in collaboration with the writer, Iain Sinclair. Though I had been thinking about doing something with the poems of Harold Pinter for the some time, I had left it to stew away rather than properly organise it as with other, simpler films. With initially failing to get in touch with Iain, I had … Continue reading Trailer – A Walk By Waiting (Pinter/Sinclair).
In October I released a ghost story for Halloween. It was partly inspired by Algernon Blackwood’s The Willows, but the majority of its actual narrative structure (especially in terms of character) came from a short story of my own inspired as well by Blackwood’s story. As it’s near Christmas, the original story is presented below. It’s very typically Jamesian and should be read late at night … Continue reading Salthouse Marshes (Ghost Story).
Above is a showreel built from footage I’ve shot over the last twelve months. Compared to last year’s showreel, this one feels far more defined and less haphazard with the visual ideas I want to play with. Gone are the mixtures of stop-motion, digital and film, instead replaced entirely by different stocks of super-8 footage. This year has felt like a much more defined trajectory … Continue reading Showreel 2015.
Salthouse Marshes began life in a strange way. Having chatted about adapting Algernon Blackwood’s The Willows with Robert Macfarlane (who had wanted to re-set it in England), there was always to be a “haunted waterway” film on the cards. But, after constant reading of the narrative of The Willows, the thought of organising the filming on two boats and on celluloid simply proved too intimidating. … Continue reading Short Film – Salthouse Marshes