New Releases Happy End – Michael Haneke Faces Places – Agnès Varda The Antigone – Tacita Dean Let The Sunshine In – Claire Denis You Were Never Really Here – Lynne Ramsay I don’t get to the cinema much these days, being both skint and constantly nervous of Dolby Surround Sound which sadly gives rise to anxiety attacks. However, these are the best films I’ve … Continue reading 2018 Review
Best New Releases. 2014 has been a year that I’ve genuinely struggled to keep up with in terms of new releases. The sheer wealth of material out there and the incessant obsession of online reviewers to desperately be up-to-date has been an interesting but ultimately fruitless exercise to try and mimic. Luckily, I’ve watched a good number of excellent films from all around the world … Continue reading 2014 Review and Top 10s.
Out of all of the modern interpretations of film-noir produced in the 1970s, The Long Goodbye (1973) is by far the most aesthetically interesting. This isn’t only because of its integration with counter-culture ideas and values, but with its continuous critical assessment of genre tropes. This critique, which extends to the literature and music as well as the films of the hindsight-based movement, is considered … Continue reading The Long Goodbye (1973, Robert Altman) – A Musical Critique of Film-Noir.
This reviewer contains spoilers. Robert Altman was a master in critiquing American forms of culture. So many of his greatest renowned work revolves around taking an American form, cultural sect, or problem and portraying their dramatically polar angles of perspective often denied to it (then and now) in mainstream culture. From early documentaries on college football in his debut work Modern Football (1951) and on … Continue reading Nashville (1975) – Robert Altman (Masters of Cinema).