This interview was originally was published on the Small Cinema Liverpool website with thanks to Sam Meech and the BFI. However, since the closure and destruction of the cinema by Liverpool developers, the website has since been closed. This interview is saved here for posterity and in appreciation of a much underrated editor, filmmaker and artist Celluloid Wicker Man: In terms of filmmaking, how did … Continue reading Interview: David Gladwell on Cinema and Requiem For A Village
This paper was originally given at The Alchemical Landscape conference at Girton College Cambridge, 07/07/2016. Though more well known for work as a film editor associated with the Free Cinema Movement of the late 1950s, and for cutting work on several films by Lindsay Anderson including If…. (1968) and O’ Lucky Man! (1973), David Gladwell is a director in his own right; a cinematic outsider … Continue reading Rurality In Folk Horror And The Films of David Gladwell.
I thought it would be last my time – The sense that, beyond the town, There would always be fields and farms, Where the village louts could climb Such trees as were not cut down; I knew there’d be false alarms – Going, Going, stanza 1 – Philip Larkin. Above is the opening stanza of Philip Larkin’s 1972 poem, Going, Going. The poem captures the … Continue reading Demise Of The Rural in Requiem For A Village (1976) And “Going, Going” (Philip Larkin).
This article was originally a paper presented at Queens University Belfast at the first Folk Horror Conference on Friday the 19th of September 2014. Introduction/Thesis. Folk horror is a strange form of media. It has a craving for the need to be defined and canonised whilst also being a sub-genre which seems inherently intuitive, especially when becoming aware of its common likenesses in films, television, … Continue reading The Folk Horror Chain.
David Gladwell may be more well known as Lindsay Anderson’s editor on such cinematic masterpieces as If…. (1968) and O Lucky Man! (1973) but his own directorial endeavours are equally worthy of discussion and analysis, especially in their relation to both his editorial work and his own creative trajectories. Whether it is the, very English, visual language of his first four short films or the … Continue reading The Early Short Films of David Gladwell.