Horror’s Pleasure of Distance

One of my favourite moments from Alfred Hitchcock’s Psycho (1960) is not a typical choice considering the film’s many infamous scenes. Rather than showers, murders and other more memorable images, I particularly love a relatively bland scene later on in the film. It has narrative development in its eerie punch line but has little else … Continue reading Horror’s Pleasure of Distance

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Analysis of Sound and Music in Alfred Hitchcock’s Psycho (1960) – Part 4 (Conclusions)

Part 1. Part 2. Part 3.  Combining the Readings: Similarities, Contradictions and Cross-Over. "It's as if the film were pinpointing the very essence of the unfilmable: the entwined couple, monstrous, the two-backed beast of the primal scene, the impossible couple of body and voice." - Michel Chion (1999, p.149). While Murphy and Fenimore examine and … Continue reading Analysis of Sound and Music in Alfred Hitchcock’s Psycho (1960) – Part 4 (Conclusions)

Analysis of Sound and Music in Alfred Hitchcock’s Psycho (1960) – Part 3 (Acousmatic Concepts)

Part 1. Part 2. Emphasis on Acousmatic Concepts in Ross J. Fenimore's "Voices that Lie Within". "Psycho almost didn't happen.  This is a unique case of music literally saving a film." - Sullivan (2006, p.246). Like much literature around Psycho, Fenimore's "Voices That Lie Within" begins its argument with setting the scene. "Psycho begins with … Continue reading Analysis of Sound and Music in Alfred Hitchcock’s Psycho (1960) – Part 3 (Acousmatic Concepts)

Analysis of Sound and Music in Alfred Hitchcock’s Psycho (1960) – Part 2 (An Audiovisual Foreshadowing)

Part 1. Emphasis on Visual Cues in Scott Murphy's "An Audiovisual Foreshadowing in Psycho". "We can grasp in effect something which, already in nature, appropriates the gaze to the function to which it may be put in the symbolic relation in man." - Jacques Lacan (1977, p.105). Scott Murphy's "An Audiovisual Foreshadowing in Psycho" is … Continue reading Analysis of Sound and Music in Alfred Hitchcock’s Psycho (1960) – Part 2 (An Audiovisual Foreshadowing)

The Horror Film Score Rebellion Part 1 – Classic Horror

INTRODUCTION 1968 was the year that horror cinema sought to change the way in which it scored its films and began to develop alternatives to the increasingly cliched sounds that had become a staple of the genre since the silent era. David Raskin, who had scored the first two Basil Rathbone-starring Sherlock Holmes films in … Continue reading The Horror Film Score Rebellion Part 1 – Classic Horror