Horror’s Pleasure of Distance

One of my favourite moments from Alfred Hitchcock’s Psycho (1960) is not a typical choice considering the film’s many infamous scenes. Rather than showers, murders and other more memorable images, I particularly love a relatively bland scene later on in the film. It has narrative development in its eerie punch line but has little else … Continue reading Horror’s Pleasure of Distance

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Analysis of Sound and Music in Alfred Hitchcock’s Psycho (1960) – Part 3 (Acousmatic Concepts)

Part 1. Part 2. Emphasis on Acousmatic Concepts in Ross J. Fenimore's "Voices that Lie Within". "Psycho almost didn't happen.  This is a unique case of music literally saving a film." - Sullivan (2006, p.246). Like much literature around Psycho, Fenimore's "Voices That Lie Within" begins its argument with setting the scene. "Psycho begins with … Continue reading Analysis of Sound and Music in Alfred Hitchcock’s Psycho (1960) – Part 3 (Acousmatic Concepts)

Analysis of Sound and Music in Alfred Hitchcock’s Psycho (1960) – Part 2 (An Audiovisual Foreshadowing)

Part 1. Emphasis on Visual Cues in Scott Murphy's "An Audiovisual Foreshadowing in Psycho". "We can grasp in effect something which, already in nature, appropriates the gaze to the function to which it may be put in the symbolic relation in man." - Jacques Lacan (1977, p.105). Scott Murphy's "An Audiovisual Foreshadowing in Psycho" is … Continue reading Analysis of Sound and Music in Alfred Hitchcock’s Psycho (1960) – Part 2 (An Audiovisual Foreshadowing)