The Naturalist Tendencies of Peter Greenaway’s Short Films.

When surmising the film work of Peter Greenaway, several rather luscious factors often come into play: The huge, architectural scale of his filming locations and sets; the painterly detail of his composition; Influences of Western high art; the larger than life (often Shakespearian) characters performed by the biggest stars in the UK.  All of these facets are what makes his non-narrative, upscale films such as … Continue reading The Naturalist Tendencies of Peter Greenaway’s Short Films.

The Music of Folk Horror – Part 8 (Conclusions).

Part 1. Part 2. Part 3. Part 4. Part 5. Part 6. Part 7. Conclusions From the analysis of only a handful of British folk horror films, it has been shown that they rely heavily on their music in order to achieve their full cinematic effect.  Altman states the following when discussing genre theory: “Constantly opposing cultural values to counter-culture values, genre films regularly depend on … Continue reading The Music of Folk Horror – Part 8 (Conclusions).

Interview With Digby Rumsey (BFI Flipside, The Pledge).

Director Digby Rumsey sees his BFI DVD debut this month on the Flipside release of Leslie Megahey’s Schalcken the Painter.  Rumsey is a traditional BFI director, coming from the same ranks as Terence Davies, Bill Douglas and Peter Greenaway.  His work in Gothic short films, especially adaptations of work by Lord Dunsany, places him firmly in the British Gothic traditions of directors such as Jonathan … Continue reading Interview With Digby Rumsey (BFI Flipside, The Pledge).