The Ritual Of Craft In Folk Horror.

With the ideas of the Folk Horror Chain starting to seem incomplete as the sub-genre grows in popularity and is more analysed, it’s about time further facets, themes, ideas and traits were added to the conversation.  This will be the first in a number of pieces about other traits not accounted for or addressed in the initial idea of the chain (which itself was only … Continue reading The Ritual Of Craft In Folk Horror.

The Aural Aesthetics Of Ghosts In BBC Ghost Stories – Part 7 (Haunted Objects).

Part 1. Part 2. Part 3. Part 4. Part 5. Part 6. “The Ghost In The Machine”: The Haunting Nature Of Unnatural Diegetic Sound. “M.R. James’ objects are imbued with our deepest fears, deepest terrors and resonances.  The whistle can bring up a storm or bring a monster from the deep.  The crown, that if you touch, its guardian will tear you to pieces.” – … Continue reading The Aural Aesthetics Of Ghosts In BBC Ghost Stories – Part 7 (Haunted Objects).

The Aural Aesthetics of Ghosts in BBC Ghost Stories – Part 4 (Music).

Part 1. Part 2. Part 3. Nondiegetic Musical Themes And Textures. “Indeed, the celestial voices of film music do resemble a phantom in several significant ways.  They are ephemeral, they are not ‘substantial’ or do not constitute part of what audiences cognise as important in the film, and have an effect that is not apparent.” – Donnelly (p.8, 2005). Though looking at nondiegetic scores for … Continue reading The Aural Aesthetics of Ghosts in BBC Ghost Stories – Part 4 (Music).

The Aural Aesthetics of Ghosts in BBC Ghost Stories – Part 3 (William Ager).

Part 1. Part 2. A “Disembodied Voice” of some form is a clear norm for representing a creature that, by its very definition, is now bodiless.  This means that, as an aural technique, it is used frequently throughout many other ghost stories as well.  In Lawrence Gordon Clark’s films, the aural trait occurs several times with different and varying effects, though never with the layered … Continue reading The Aural Aesthetics of Ghosts in BBC Ghost Stories – Part 3 (William Ager).

The Aural Aesthetics of Ghosts in BBC Ghost Stories – Part 1 (Introduction).

Manifesting The Supernatural: The Aural Aesthetics Of Ghosts In BBC Ghost Stories. Introduction. “When Monty first began to write them, with the intention of inducing a pleasing terror in his listeners, he did so as an avid and discerning reader and connoisseur of the genre, keenly aware of his precedents and of the characteristics, objectives, and limitations of the ghost story as he understood the … Continue reading The Aural Aesthetics of Ghosts in BBC Ghost Stories – Part 1 (Introduction).

Classic Ghost Stories by M.R James with Robert Powell (BFI).

M.R James’ ghost stories seem almost tailor-made for television and radio.  They’ve taken on so many forms and guises over the years that, like their original forms read by the fireside at Christmas in Cambridge University, they have become a regular, traditional event.  Though their presence has been somewhat thin on the ground of late (though soon to change with the fourth modern adaptation coming … Continue reading Classic Ghost Stories by M.R James with Robert Powell (BFI).