The ghost story has had a resurgence lately in film and television. Perhaps the increasing reliance on distancing technology and social media has lead to a desire to retread older forms that now seem prescient but there’s no doubt that the genre as a whole is alive and well, especially for commercially minded lower budget film; the blueprint set up by Hammer’s adaptation of Susan … Continue reading Blackwood (2013) – Adam Wimpenny.
Director Digby Rumsey sees his BFI DVD debut this month on the Flipside release of Leslie Megahey’s Schalcken the Painter. Rumsey is a traditional BFI director, coming from the same ranks as Terence Davies, Bill Douglas and Peter Greenaway. His work in Gothic short films, especially adaptations of work by Lord Dunsany, places him firmly in the British Gothic traditions of directors such as Jonathan … Continue reading Interview With Digby Rumsey (BFI Flipside, The Pledge).
Its geography is stark, rugged and eerily inviting, its characters are sickly happy and lying through their teeth and its narrative is immersive and questioning to the point where its finale is deeply affecting and horrifying. It’s a crying shame that viewers of The Wicker Man (1973) will never fully see the film as its director intended. Having been slashed to bits by the studio … Continue reading The Wicker Man (1973) – Defining Of The Folk Horror.