This is an edited version of the paper given at Spirits Of Place in Calderstones Park, Liverpool 02/04/2016. My thanks to John Reppion and Leah Moore for organising the event and for to the other excellent speakers (Gill Hoffs, David Southwell, Gary Budden, Kenneth Brophy, Richard Macdonald, Ian “Cat” Vincent and Ramsey Campbell). Here’s to the next one. There is strange landmass on the opposite … Continue reading “Wyrd” Wirral – Spirits Of Place (02/04/2016)
One of the key criticisms of the Folk Horror Chain is its emphasis, both in argument and in evidence, upon the rural landscape and its various elements. While the key works of Folk Horror cinema seem to broadly use rural landscape aesthetics and practice to set and conjure their horror, by setting up such a parameter, it does indeed neglect some of the sub-genre’s most … Continue reading The “Urban Wyrd” In Folk Horror.
The following article contains plot twists. Hysteria and Nigel Kneale’s Baby. A very particular and often quoted segment from Freud’s summations of hysterical patients will be used here to begin the contextualisation our analysis. Whilst writing about the generalities surrounding such cases of hysteria and eventually compulsion neurosis, Freud came up with a short but rather useful sound-bite to describe every patient he had seen. … Continue reading Technological Hysteria in Nigel Kneale’s The Stone Tape (1972).
Its geography is stark, rugged and eerily inviting, its characters are sickly happy and lying through their teeth and its narrative is immersive and questioning to the point where its finale is deeply affecting and horrifying. It’s a crying shame that viewers of The Wicker Man (1973) will never fully see the film as its director intended. Having been slashed to bits by the studio … Continue reading The Wicker Man (1973) – Defining Of The Folk Horror.