Chantal Akerman’s first series of features in the 1970s have one defining aspect in common: all are suffused with loneliness. In her first fiction feature, Je Tu Il Elle (1974), a character wanders between lovers old and new but is always confused as to what she really wants. In Jeanne Dielman, 23 Commerce Quay, 1080 Brussels (1975), we follow a woman trapped in the monotony of … Continue reading All The Lonely People: Chantal Akerman’s Les Rendez-vous d’Anna (1978)
Horror films were slow on the upkeep when it came to electronic music. Though elements of it were being used in other genres before 1968, electronic music didn’t really reach horror until the late sixties. The exact date of the first use of electronic score has been attributed to various films; largely Cold War fare such as The Day the Earth Stood Still (1951) and Invasion of the … Continue reading The Horror Score Rebellion Part 2 – Night Of The Living Dead And The Electronic Score.
No other film produced by the Studio Ghibli animation company has come to define the studio in its creative aims and ideals more than its 1988 film My Neighbour Totoro directed by Hayao Miyazaki. Not only is the company now represented by the images of the creatures found in the film, it is the perfect blend of naive idealism and alternative animation with the depth and … Continue reading My Neighbour Totoro – Hayao Miyazaki (1988)
Federico Fellini is one of Italy’s greatest and most influential filmmaker with a style and substance rarely matched in European art house film, especially in earlier work. A number of his pictures have recently made it into the Sight & Sound top 100 poll with his masterpiece 8 ½ even finishing within the top 10. He’s a director who often portrays the struggles of humanity in the … Continue reading La Strada – Federico Fellini (1954)
Having taken a break for the sequel to 1958’s Dracula, the Count returned to Hammer after having left all the hard work to Baron Meinster in 1960’s Brides of Dracula. 1966’s Dracula Prince of Darkness is missing only one element that would allow it to become the strongest in Hammer’s canon. Christopher Lee returns as the count but sadly missing from the film is Peter … Continue reading Dracula: Prince of Darkness – Terence Fisher (1966)
New York is a living beast. Though a sense of cleanliness prevails over many of the affluent inner city districts these days, in the 1970′s it seems a pulsing, writhing mass of people and dirt. Woody Allen’s Manhattan (1979) seems contrary to this yet the films that revel in this filthy concoction of crime and murder are some of the most addictive of the era. This mix is … Continue reading Taxi Driver – Martin Scorsese (1976)