El Topo and The Lamb Lies Down On Broadway (Jodorowsky and Gabriel).

Alejandro Jodorowsky's El Topo (1970) has rightly earned a place in the pantheon of cult cinema. Watch any number of documentaries or interviews with the man himself and the film will often stand proud as the pioneer of the "Midnight Movie"; a film obviously shown late due to its content but also exuding free reign … Continue reading El Topo and The Lamb Lies Down On Broadway (Jodorowsky and Gabriel).

Like Someone In Love (2013) – Visual and Emotional Reflections.

This article contains spoilers. For a film named after a jazz standard, Abbas Kiarostami's Like Someone In Love (2012) plays very little with the notion or question of music and sound. Recalling the film only brings to mind one scene where music is used as a narrative ploy while the rest of it is more … Continue reading Like Someone In Love (2013) – Visual and Emotional Reflections.

Alphaville (1965) and the Absurdities of Cinema – Jean-Luc Godard.

Jean-Luc Godard’s Alphaville (1965) was one of the first pieces of non-Anglo American cinema that I watched.  It may have been diving in toward the deep end in some regards but something became very striking about the film as its running time trickled by. It said more than other dystopias, noirs or sci-fi but this … Continue reading Alphaville (1965) and the Absurdities of Cinema – Jean-Luc Godard.

The Use of Sound & Music in British Working Class Film – Part 3 (British New Wave Cinema).

Part 1. Part 2. Metaphorical Music and British New Wave Film. “But who could describe the delicious sensation produced in me by the delicate harmony and angelic singing of that song which finally did! What an awakening, what bliss, what ecstasy when I opened my ears and my eyes together!” (Rousseau, 1781, p.294). British New … Continue reading The Use of Sound & Music in British Working Class Film – Part 3 (British New Wave Cinema).

South Korean Film Scores and Ease of Distribution – Part 4 (Asia Extreme and Westernisation)

Part 1. Part 2. Part 3. Asia Extreme and the Westernisation of South Korean Film Music. The most popular avenue for South Korean cinema to enter the West, outside of the art-house festival circuit, is in the form that has loosely been dubbed “Asia Extreme”.  This isn’t just South Korean film but also Japanese cinema … Continue reading South Korean Film Scores and Ease of Distribution – Part 4 (Asia Extreme and Westernisation)

Collapsing Belief Systems and The Nietzschean Death – (Winter Light, The White Ribbon, The Turin Horse).

One of Friedrich Nietzsche’s more famous and strangely popular idioms is his “Death of God” theory presented through the madman in his 1883 work The Gay Science.  Though it has been used for all sorts of philosophical and theological purpose, often twisting it to fit whatever schematics the debater wants to shape it into, the … Continue reading Collapsing Belief Systems and The Nietzschean Death – (Winter Light, The White Ribbon, The Turin Horse).

BBC Ghost Stories – Whistle And I’ll Come To You (1968 & 2010).

The first of the two BFI releases due out on the 20th of August,  this double bill of the classic BBC ghost story adaptations sets the tone for the future releases while also justifying the detail and time put into them.  This release contains both adaptations of perhaps M.R. James’ most famous short tale and the … Continue reading BBC Ghost Stories – Whistle And I’ll Come To You (1968 & 2010).