I savour Robert Walser's fragmentary work. Though I've read several volumes of his collected sketches, I've yet to read any of his full length novels. I have some trepidation about them, almost definitely unfounded, in that it is the formal qualities of such short snippets that draws me into his optimistic depression, his meandering playfulness … Continue reading Wandering Through – Robert Walser’s A Little Ramble (1914)
For a recent symposium on Hauntology, I gave a paper on the links between the philosophy of hauntological ideas with the work and W.G. Sebald. The subject had been interesting me for a while, not least because the jump between the style of the former and the thematic ideas of the latter are the amalgamation … Continue reading Interview: Grant Gee + James Leyland Kirby (The Caretaker) on W.G. Sebald + Hauntology
So much has been written about W.G. Sebald and the use of photographs in his novels that it seems almost fruitless to write further around the subject. With it being one of the defining features of his work, and with a rapidly increasing library of volumes and handbooks exploring the writer's legacy, I struggled to … Continue reading Chasing The Ghost – Excavating Sebald’s Portraits
This paper was delivered at the Resonant Edge Hauntology Symposium on the 15/06/2017. Full interviews with Grant Gee and James Leyland Kirby will be published later this summer. My talk today is about two specific forms: the writing of W.G. Sebald and the musical work of The Caretaker. My aim is to show the links … Continue reading Memory and Disintegration in the work of W.G. Sebald and The Caretaker
The Swiss town of Zermatt lies on the Italian border south of the Naturpark Pfyn-Finges some way away from Bern. There lies a string of more built up towns to its north, lying along a liner path marked by a highway, connected by the towns of Sion and Sierre. In spite of Zermatt being more … Continue reading A Ghost Story For Christmas: The Mountain Grave.
I remember being sat on a bench on Dunwich Heath in September last year and seeing the dome of Sizewell B for the first time as an adult. I had just walked a little way down the coast, after a day of filming further down at Orford Ness, from Dunwich beach through to the heath. … Continue reading Short Film – Heavy Water.
Above is the trailer for the next short film, Heavy Water. This is to be the longest film this year and the most ambitious in terms of scope in spite of future projects containing narratives and actors. Heavy Water 's difficulty is the connection of its two main themes represented by adjacent places on the … Continue reading Trailer – Heavy Water.
"The contours of the Sizewell power plant, its Magnox block a glowering mausoleum, begin to loom upon an island far out in the pallid waters where one believes the Dogger Bank to be, where once shoals of herring spawned and earlier still, a long, long time ago, the delta of the Rhine flowed out into … Continue reading Wanders: Sebald, Sizewell and Dunwich (Suffolk).
On finishing W.G. Sebald's four quartered documentary piece, The Emigrants (1992), I felt as if a loose connection to some recent film or book was hanging midair, waiting to be tied up. The narrative is split into the stories of four émigrés, all seemingly interconnected by a multitude of strange images but chiefly connected by … Continue reading Ghosts In The Ice: The Emigrants (W.G. Sebald) and 45 Years (Andrew Haigh).
Debris degrades and degradation can be measured but can art be this measurement? Orford Ness in Suffolk, a former atomic weapons mechanism research and testing facility, doesn't ask these questions but the place has attracted such a huge number of artists to its shores that the question of creativity and its role as a reaction … Continue reading Responses: Blind Landings (2013) – Jane And Louise Wilson.