Part 1. Part 2. Part 3. Conclusions. Whilst this essay has attempted to be as detailed as possible in its readings of Valerie And Her Week Of Wonders, there’s little doubt that covering every aspect of the film would be an infinite task. Three aspects have been considered quite deliberately in order to show the strong musical framework in which the film is built upon but … Continue reading Valerie And Her Week Of Wonders (1970) – Duality Through Sound And Vision (Part 4).
Part 1. Part 2. Belief And Ritual. The power of belief and its will in the distortion of reality is one of Valerie‘s more crucial cinematic aspects. This isn’t simply a belief in the sense of a religious doctrine and all of the aesthetics that accompany it, but the moral belief of the main character whose fantasies dictate the narrative ruptures within the film. However, … Continue reading Valerie And Her Week Of Wonders (1970) – Duality Through Sound and Vision (Part 3).
Part 1. Innocence and Sexuality. As already suggested, Valerie is first and foremost about the links, barriers and cross-over between innocence and sexuality. Whilst some characters (for example, the religious fundamentalists), believe there to be a strict differentiation between the two, the film and Valerie herself know that this is not the case; if anything, it is the watermark of the patriarchy that such a … Continue reading Valerie And Her Week Of Wonders (1970) – Duality Through Sound And Vision (Part 2).