Valerie And Her Week Of Wonders (1970) – Duality Through Sound And Vision (Part 4).

Part 1. Part 2. Part 3. Conclusions. Whilst this essay has attempted to be as detailed as possible in its readings of Valerie And Her Week Of Wonders, there's little doubt that covering every aspect of the film would be an infinite task.  Three aspects have been considered quite deliberately in order to show the strong … Continue reading Valerie And Her Week Of Wonders (1970) – Duality Through Sound And Vision (Part 4).

Valerie And Her Week Of Wonders (1970) – Duality Through Sound And Vision (Part 2).

Part 1. Innocence and Sexuality. As already suggested, Valerie is first and foremost about the links, barriers and cross-over between innocence and sexuality.  Whilst some characters (for example, the religious fundamentalists), believe there to be a strict differentiation between the two, the film and Valerie herself know that this is not the case; if anything, … Continue reading Valerie And Her Week Of Wonders (1970) – Duality Through Sound And Vision (Part 2).

Valerie And Her Week Of Wonders (1970) – Duality Through Sound and Vision (Part 1).

Valerie And Her Week Of Wonders (1970) - Duality Through Sound and Vision. Jaromil Jireš' Valerie And Her Week Of Wonders (1970) is a cornucopia of images and sound.  Its vision is of a complex blossoming of sexuality amidst the visual and thematic realisations of a Freudian dreamscape, driven primarily by the lack of understanding and … Continue reading Valerie And Her Week Of Wonders (1970) – Duality Through Sound and Vision (Part 1).