Some directors are very natural in their status as crowned auteur; their films always seemingly a product of their own conception which seems unavoidable to visually mistake. Seeing all of Andrei Tarkovsky’s films, this is perhaps clearer to see than most other directors. His distinctive visual style, which morphs into several similar variations, is instantly recognisable. Dripping with faded lights, distinct textures and elemental forces, … Continue reading Andrei Tarkovsky – Polaroids, Mementos and Time.
Perhaps being from the west, Russian film fulfills that same function as cultural currency meaning we as a western audience are only shown what the country considers to be its finest and most cultured films yet this matters little in an argument for national cinemas as this is the image projected to us as an audience and only a true Russian will know whether all … Continue reading How Historical And Cultural Dynamics Shaped The Work Of Andrei Tarkovsky (Part 1 – Stalker)