Echoes & Imprints: Towards A Sebaldian Cinema

This is an edited transcript of a talk given at Norwich Castle on Tuesday the 27th of August 2019. Detail has been edited, aspects taken out and points clarified from the original talk. My thanks to Dr. Nick Warr and Philippa Comber in particular for the help and information given both before and after the talk. Introduction Considering the wealth of imagery on the walls … Continue reading Echoes & Imprints: Towards A Sebaldian Cinema

Chasing The Ghost – Excavating Sebald’s Portraits

So much has been written about W.G. Sebald and the use of photographs in his novels that it seems almost fruitless to write further around the subject.  With it being one of the defining features of his work, and with a rapidly increasing library of volumes and handbooks exploring the writer’s legacy, I struggled to initially frame the subject I want to write about here: … Continue reading Chasing The Ghost – Excavating Sebald’s Portraits

Ghosts In The Ice: The Emigrants (W.G. Sebald) and 45 Years (Andrew Haigh).

On finishing W.G. Sebald’s four quartered documentary piece, The Emigrants (1992), I felt as if a loose connection to some recent film or book was hanging midair, waiting to be tied up.  The narrative is split into the stories of four émigrés, all seemingly interconnected by a multitude of strange images but chiefly connected by their fleeing from the rise of Nazi Germany to both … Continue reading Ghosts In The Ice: The Emigrants (W.G. Sebald) and 45 Years (Andrew Haigh).