Echoes & Imprints: Towards A Sebaldian Cinema

This is an edited transcript of a talk given at Norwich Castle on Tuesday the 27th of August 2019. Detail has been edited, aspects taken out and points clarified from the original talk. My thanks to Dr. Nick Warr and Philippa Comber in particular for the help and information given both before and after the talk. Introduction Considering the wealth of imagery on the walls … Continue reading Echoes & Imprints: Towards A Sebaldian Cinema

Interview: Grant Gee + James Leyland Kirby (The Caretaker) on W.G. Sebald + Hauntology

For a recent symposium on Hauntology, I gave a paper on the links between the philosophy of hauntological ideas with the work and W.G. Sebald.  The subject had been interesting me for a while, not least because the jump between the style of the former and the thematic ideas of the latter are the amalgamation that I’m currently aiming for in my own fiction writing.  … Continue reading Interview: Grant Gee + James Leyland Kirby (The Caretaker) on W.G. Sebald + Hauntology

Memory and Disintegration in the work of W.G. Sebald and The Caretaker

This paper was delivered at the Resonant Edge Hauntology Symposium on the 15/06/2017. Full interviews with Grant Gee and James Leyland Kirby will be published later this summer. My talk today is about two specific forms: the writing of W.G. Sebald and the musical work of The Caretaker.  My aim is to show the links between the two, with reference to ideas of Hauntology but … Continue reading Memory and Disintegration in the work of W.G. Sebald and The Caretaker

Wanders: Harold Pinter’s East London

Dear Joe, I’d like to walk with you From Clapton Pond to Stamford Hill And on… (2009/1977, p.177) There’s a somewhat unexplored relationship between the work of Harold Pinter and act of walking, specifically walking and talking around London.  Perhaps because he is most famous for a form that is so strictly bound into one performative space, it is easily forgotten how vital walking around … Continue reading Wanders: Harold Pinter’s East London

Electronic Music And Mental Illness In Cinema.

This article contains narrative spoilers. From its very earliest occurrences, electronic instrumentation and music has been used in cinema to signpost various aspects of mental health problems and issues within diegetic characters.  Alongside its uses in creating alien worlds, electronic instrumentation seems to, at least in the eyes of the films’ creators, have an ability to go deep within the human psyche as well as … Continue reading Electronic Music And Mental Illness In Cinema.