“In the morning they leave. The animals, birds, and insects that watched in horror through the long night creep out from their hiding places. And what do they see? Old spark plugs and old filters strewn around... Rags, burnt-out bulbs, and a monkey wrench left behind... And of course, the usual mess—apple cores, sweet wrappers, … Continue reading They Lay With Debris – Wreckage in Tarkovsky’s Stalker (1979)
Some directors are very natural in their status as crowned auteur; their films always seemingly a product of their own conception which seems unavoidable to visually mistake. Seeing all of Andrei Tarkovsky’s films, this is perhaps clearer to see than most other directors. His distinctive visual style, which morphs into several similar variations, is instantly … Continue reading Andrei Tarkovsky – Polaroids, Mementos and Time.
Perhaps being from the west, Russian film fulfills that same function as cultural currency meaning we as a western audience are only shown what the country considers to be its finest and most cultured films yet this matters little in an argument for national cinemas as this is the image projected to us as an … Continue reading How Historical And Cultural Dynamics Shaped The Work Of Andrei Tarkovsky (Part 1 – Stalker)
Writing about a film such as Andrei Tarkovsky’s Stalker is not an easy task. Anyone with a pure and honest love for cinema will find Tarkovsky’s work in general to be awe inspiring, perhaps even approaching cinematic perfection. Stalker is something so ambitious in its message and graceful with its visuals, watching another film after it can be … Continue reading Stalker – Andrei Tarkovsky – (1979)