The Sounds of Sacrifice: The Music of British Folk Horror Films. Introduction. In the late 1960s and the early 1970s, a small group of horror films made in Britain set themselves apart from the rest of the genre, becoming an aptly cult phenomena now acknowledged under the banner of folk horror. As a newly recognised … Continue reading The Music of Folk Horror – Part 1 (Sub-Genre Theories).
The relationship between sound and vision in film is one that is complex and almost indefinable in a broad sense due to each director and composer treating such relationship in different ways. The two examples about to be discussed are almost reverse images of each other’s effects; the same method has been applied but for … Continue reading Musical Emphasis on Visual Words (François Truffaut and Pier Paolo Pasolini)
Federico Fellini is one of Italy’s greatest and most influential filmmaker with a style and substance rarely matched in European art house film, especially in earlier work. A number of his pictures have recently made it into the Sight & Sound top 100 poll with his masterpiece 8 ½ even finishing within the top 10. He’s a … Continue reading La Strada – Federico Fellini (1954)
Every ten years, the most respected and articulate of film magazines, Sight and Sound, runs a poll voted for by the directors and critics of our time for their ten favourite films. This coalesces into a poll of fifty films and yesterday these were announced a long with a live tweet countdown of the apparent top ten … Continue reading Sight & Sound Film Poll 2012 In Detail.
Taking a side step from simply looking into the work of one particular director, here we are going to be looking at the highlights from a whole genre. It seems like a big ask but really the genre of horror needs its past remembering now more than ever. With the modern interpretation of genre reliant … Continue reading A Beginner’s Guide to Vintage Horror 1920 – 1960.