One of the key criticisms of the Folk Horror Chain is its emphasis, both in argument and in evidence, upon the rural landscape and its various elements. While the key works of Folk Horror cinema seem to broadly use rural landscape aesthetics and practice to set and conjure their horror, by setting up such a … Continue reading The “Urban Wyrd” In Folk Horror.
In spite of being set in the most cramped of city-based fictional areas, Alfred Hitchcock's Rear Window (1954) successfully presents the bustling aesthetics of a whole metropolis while managing to retain an almost claustrophobic isolation. In the film, Hitchcock presents a temporarily wheelchair-bound photographer who becomes obsessed with a neighbour. He suspects the unusual man … Continue reading Sounds of the City – Defining the Metropolis in Alfred Hitchcock’s Rear Window (1954).
One of Hitchcock’s most experimental films, Rope contains all the ingredients that came to define his mid period but at the same time seems weirdly at odds with them. The first thing to note about this rather twisted affair is its composition. Unlike pretty much any other Hitchcock film, the shots are extremely long in … Continue reading Rope – Alfred Hitchcock (1948)