Part 1. Part 2. Part 3. Part 4. Part 5. Mahler (1974) and the Balance Between Personal Reception and History. Mahler is an apt end for this period in Ken Russell’s musical exploration for a number of reasons. It firstly completes the transition in the director’s popularity as well as the full fledgling of creative confidence. It also manages to amalgamate all of the elements … Continue reading A Musicological Study of Ken Russell’s Composer Films – Part 6 (Mahler).
M.R James’ ghost stories seem almost tailor-made for television and radio. They’ve taken on so many forms and guises over the years that, like their original forms read by the fireside at Christmas in Cambridge University, they have become a regular, traditional event. Though their presence has been somewhat thin on the ground of late (though soon to change with the fourth modern adaptation coming … Continue reading Classic Ghost Stories by M.R James with Robert Powell (BFI).