One of the key criticisms of the Folk Horror Chain is its emphasis, both in argument and in evidence, upon the rural landscape and its various elements. While the key works of Folk Horror cinema seem to broadly use rural landscape aesthetics and practice to set and conjure their horror, by setting up such a parameter, it does indeed neglect some of the sub-genre’s most … Continue reading The “Urban Wyrd” In Folk Horror.
Moving away from the established ideals of the first two Hammer Quatermass films, 1967’s Quatermass and the Pit has much to praise. Part of this is most definitely down to the change in director to Hammer regular Roy Wood Baker who creates an interestingly claustrophobic London. While excavating renovation for Hobb’s End Tube station, workman come across what appears to be an unexploded bomb. Upon … Continue reading Quatermass and the Pit – Roy Ward Baker (1967)