Alphaville (1965) and the Absurdities of Cinema – Jean-Luc Godard.

Jean-Luc Godard’s Alphaville (1965) was one of the first pieces of non-Anglo American cinema that I watched.  It may have been diving in toward the deep end in some regards but something became very striking about the film as its running time trickled by. It said more than other dystopias, noirs or sci-fi but this “more” wasn’t to do with anything that could be described … Continue reading Alphaville (1965) and the Absurdities of Cinema – Jean-Luc Godard.

Ai Weiwei’s Pots and Jean-Luc Godard’s Celluloid.

While Ai Weiwei’s work with pots represent the artist’s more accessible work, there’s something about his actions and decisions with the, often expensive and historically relevant, pots that seem weirdly cinematic.  This isn’t to say that they look like something out of a film (though actually they could easily work as something surreal given the right audience) but that the ideologies behind the works have … Continue reading Ai Weiwei’s Pots and Jean-Luc Godard’s Celluloid.

Avant Godard! – Part 2, Musical Subversion (Bande à Part and Pierrot Le Fou)

Part 1. Ideas In Later Films By Godard. Godard would continue to subvert the role of record players in his work to similar but more extreme effects. It seems odd that the connecting factor to all the scenes mentioned is the presence of his, then wife, Anna Karina.  Godard is capable of presenting her dancing and singing with a relatively normal relationship between the visual … Continue reading Avant Godard! – Part 2, Musical Subversion (Bande à Part and Pierrot Le Fou)