Echoes & Imprints: Towards A Sebaldian Cinema

This is an edited transcript of a talk given at Norwich Castle on Tuesday the 27th of August 2019. My thanks to Dr Nick Warr and Philippa Comber for their help. Considering the wealth of photography on the walls of the Line of Sight exhibition housed next door (an exhibition detailing many photographs taken by the author for his novels), it is unsurprising to find the work … Continue reading Echoes & Imprints: Towards A Sebaldian Cinema

Interview: Grant Gee + James Leyland Kirby (The Caretaker) on W.G. Sebald + Hauntology

For a recent symposium on Hauntology, I gave a paper on the links between the philosophy of hauntological ideas with the work and W.G. Sebald.  The subject had been interesting me for a while, not least because the jump between the style of the former and the thematic ideas of the latter are the amalgamation that I’m currently aiming for in my own fiction writing.  … Continue reading Interview: Grant Gee + James Leyland Kirby (The Caretaker) on W.G. Sebald + Hauntology

Memory and Disintegration in the work of W.G. Sebald and The Caretaker

This paper was delivered at the Resonant Edge Hauntology Symposium on the 15/06/2017. Full interviews with Grant Gee and James Leyland Kirby will be published later this summer. My talk today is about two specific forms: the writing of W.G. Sebald and the musical work of The Caretaker.  My aim is to show the links between the two, with reference to ideas of Hauntology but … Continue reading Memory and Disintegration in the work of W.G. Sebald and The Caretaker

Great British Documentaries

“In documentary we deal with the actual, and in one sense with the real. But the really real, if I may use that phrase, is something deeper than that. The only reality which counts in the end is the interpretation which is profound.” – John Grierson. With Sight & Sound’s recent poll for best documentaries (September 2014), I wanted to explore some of the British … Continue reading Great British Documentaries

Patience (Grant Gee) and The Rings of Saturn (W.G. Sebald) – Capturing Perception

There are a number of reception possibilities attainable when watching Grant Gee’s 2011 essay film, Patience (After Sebald).  Any film based on a book or around an author is always going to separate its viewers into two groups; those who have read the original source material and those who have not.  While the latter will be seeking to latch onto the their initial experience of … Continue reading Patience (Grant Gee) and The Rings of Saturn (W.G. Sebald) – Capturing Perception