Though 1968 may best be remembered for Romero’s zombies, another film released that same year had a similar impact to the way horror films in the subsequent decade were scored. Rosemary’s Baby, directed by Polish émigré Roman Polanski, has a legacy of imitators that developed from its scoring techniques. Polanski’s tale of the occult in a … Continue reading The Horror Score Rebellion – Part 3 (Rosemary’s Baby And Popular Music In Horror)
Article originally published in New Empress Magazine. Being old and generally more battered, silent horror has the unnerving sense of being a genuine piece of documentation. No doubt unaware of it at the time, Benjamin Christensen’s Häxan: Witchcraft Through The Ages (1922) is a film that so embodies this accidental aspect that viewing it perhaps recalls … Continue reading A Brief History of Occult and Folk Horror.
One of Universal’s best efforts within the gothic tradition, 1941’s The Wolf Man is one of the studio’s best horror films from its golden era. Though its director isn’t well known for his horror, the success of this feature is no doubt down to borrowing certain stylistic elements from Universal’s most innovative horror director, James … Continue reading The Wolf Man – George Waggner (1941)
Roger Corman’s adaptations of Edgar Allan Poe’s short stories are just as vital to the classic horror canon as the films by Hammer and Amicus productions. Their influence is vast and the number of big names to come out from under Corman’s wing is monumental. Having set up a distinctive style to filming Poe’s work … Continue reading The Tomb of Ligeia – Roger Corman (1964)
Moving away from the established ideals of the first two Hammer Quatermass films, 1967’s Quatermass and the Pit has much to praise. Part of this is most definitely down to the change in director to Hammer regular Roy Wood Baker who creates an interestingly claustrophobic London. While excavating renovation for Hobb’s End Tube station, workman … Continue reading Quatermass and the Pit – Roy Ward Baker (1967)