Valerie And Her Week Of Wonders (1970) - Duality Through Sound and Vision. Jaromil Jireš' Valerie And Her Week Of Wonders (1970) is a cornucopia of images and sound. Its vision is of a complex blossoming of sexuality amidst the visual and thematic realisations of a Freudian dreamscape, driven primarily by the lack of understanding and … Continue reading Valerie And Her Week Of Wonders (1970) – Duality Through Sound and Vision (Part 1).
Shadows dance upon the walls of Robert Wiene's Das Cabinet Des Dr. Caligari (1920). The world of shadows and light, edges and angles, the slanted and the macabre, all seem so much more at home in silent cinema as a whole; images that negate sound have a very natural ghostliness to their nature. This is … Continue reading Das Cabinet Des Dr. Caligari (1920) – Masters of Cinema Restoration.
Article originally published on http://www.ACEliverpool.com There’s something wonderfully timeless about early vampire films. No matter how aged the visuals of screen adaptations look, the bare bones of the narrative make them compelling and often affecting slices of drama. Even the word Nosferatu drips with gothic headiness and its jagged inflections speak of something dark, morbid … Continue reading Nosferatu – A Comparison. (F.W Murnau, Werner Herzog)
F.W. Murnau should be a name familiar to everyone. Sadly this is not the case so some explanation should be given as to his importance. He was one of the key instigators of the German expressionist movement, a group of films that not only visually defy the time in which they were made but are … Continue reading Faust – F.W Murnau (1926).
Taking a side step from simply looking into the work of one particular director, here we are going to be looking at the highlights from a whole genre. It seems like a big ask but really the genre of horror needs its past remembering now more than ever. With the modern interpretation of genre reliant … Continue reading A Beginner’s Guide to Vintage Horror 1920 – 1960.