Hitchcock’s early British films tend largely to be devoid of the interesting, endlessly analysable scores his later films have, (thanks mainly to Bernard Herrmann being sat at the musical helm).  It seems to have been an almost standard practice to use a handful of musical scores or fragments in the occasional scene but to largely leave the films musically blank outside of their opening and … Continue reading The Lady Vanishes (Alfred Hitchcock, 1938) – Early Uses of Musical, Narrative Tools.