In spite of its very energetic reappraisal and various analyses, Michael Powell's career destroying masterpiece, Peeing Tom (1960), is a film whose musical eccentricities and sound design contain hidden depths. For a film that appears on the surface to be almost excessively Freudian, this was normal yet, when looking at some of the detailed reappraisals … Continue reading Peeping Tom (Michael Powell,1960) – Aural Perspectives of Murder.
Cry of the Banshee (1970) makes no qualms as to what its aims are. Looking at its promotional poster, it would be natural to associate it with Roger Corman’s Poe films; it’s emblazoned with Edgar Allen Poe references, its main star is Vincent Price and its design is a technocolour nightmare. The film itself is … Continue reading Cry Of The Banshee – Gordon Hessler (1970)
One of Universal’s best efforts within the gothic tradition, 1941’s The Wolf Man is one of the studio’s best horror films from its golden era. Though its director isn’t well known for his horror, the success of this feature is no doubt down to borrowing certain stylistic elements from Universal’s most innovative horror director, James … Continue reading The Wolf Man – George Waggner (1941)
Horror films were slow on the upkeep when it came to electronic music. Though elements of it were being used in other genres before 1968, electronic music didn’t really reach horror until the late sixties. The exact date of the first use of electronic score has been attributed to various films; largely Cold War fare … Continue reading The Horror Score Rebellion Part 2 – Night Of The Living Dead And The Electronic Score.
Satanism and Devil worship has been a popular topic for horror films since the genre’s first exploration of its dark ways in Benjamin Christensen’s 1922 film Haxan. The genre of occult horror saw a new golden age for itself born in the late 1950s and Hammer’s 1968 film The Devil Rides Out is a product … Continue reading The Devil Rides Out – Terence Fisher (1967)