Apart from going on a number of planned walks throughout 2016, towards the end of the year I managed to head on a number of more random jaunts out into a variety of places. Though the reel of photos I took has come back mixed in terms of quality, the walks were still interesting enough for me to want to write about them. Three in … Continue reading Wanders: Odds and Ends
My walk around Harold Pinter’s old haunts in the east end of London has produced a number of written accounts now that, with the film that sparked of the whole venture being finally public, I’m not quite sure what else to say about it. The idea for the walk came about when I saw the, since frustratingly taken down, Harold Pinter Arena documentary which spent a … Continue reading Short Film – A Walk By Waiting (Harold Pinter, Iain Sinclair).
Above is the trailer for a very short fragment of film made in collaboration with the writer, Iain Sinclair. Though I had been thinking about doing something with the poems of Harold Pinter for the some time, I had left it to stew away rather than properly organise it as with other, simpler films. With initially failing to get in touch with Iain, I had … Continue reading Trailer – A Walk By Waiting (Pinter/Sinclair).
Dear Joe, I’d like to walk with you From Clapton Pond to Stamford Hill And on… (2009/1977, p.177) There’s a somewhat unexplored relationship between the work of Harold Pinter and act of walking, specifically walking and talking around London. Perhaps because he is most famous for a form that is so strictly bound into one performative space, it is easily forgotten how vital walking around … Continue reading Wanders: Harold Pinter’s East London
This article contains plot twists. Harold Pinter’s The Lover was a script first publically showcased as a television play in March 1963[i] before it went on for a theatre run a few months later starting from September that year. As a model of how Pinter plays on words and the natural duel meaning found explicitly within the English language, it develops on several ideas that would … Continue reading Communicative Reality in The Lover (1963) – Harold Pinter.
This article contains narrative spoilers. From its very earliest occurrences, electronic instrumentation and music has been used in cinema to signpost various aspects of mental health problems and issues within diegetic characters. Alongside its uses in creating alien worlds, electronic instrumentation seems to, at least in the eyes of the films’ creators, have an ability to go deep within the human psyche as well as … Continue reading Electronic Music And Mental Illness In Cinema.