The Music of Folk Horror – Part 8 (Conclusions).

Part 1. Part 2. Part 3. Part 4. Part 5. Part 6. Part 7. Conclusions From the analysis of only a handful of British folk horror films, it has been shown that they rely heavily on their music in order to achieve their full cinematic effect.  Altman states the following when discussing genre theory: "Constantly opposing … Continue reading The Music of Folk Horror – Part 8 (Conclusions).

The Music of Folk Horror – Part 7 (Musical Anachronisms).

Part 1. Part 2. Part 3. Part 4. Part 5. Part 6. Musical Anachronisms - Naturally and Overtly. "Let's just say there aren't many films set in the reign of William and Mary in which the devil rebuilds his body by harvesting the skin of children..." (Gatiss, 2010, BBC). To address the presence of musical … Continue reading The Music of Folk Horror – Part 7 (Musical Anachronisms).

The Music of Folk Horror – Part 2 (Folk Horror Chain and Witchfinder General).

Part 1. Thematic Material of the Folk Horror Chain. "Grendel was the name of this grim demon, haunting the marches, marauding round the heath and the desolate fens; he had dwelt for a time in misery among the banished monsters, Cain's clan, whom the creator had outlawed and condemned as outcasts." (Heaney, p.6, 1999). Though … Continue reading The Music of Folk Horror – Part 2 (Folk Horror Chain and Witchfinder General).

Films On The Strange British Coastline.

While many British films take full advantage of the rural potential that "this spectered isle" can provide, there seems to be another sub-sect to this branch film, often finding its way into British horror cinema.  Of course, this isn't as clear cut as simply analysing films under the guise of "Rural Horror" or "Folk Horror" … Continue reading Films On The Strange British Coastline.