As recently announced, I have a book being released in January all about Folk Horror and its many related areas of interest. The book has been in the works for the last year or so though many of the arguments within have been growing now for several years. Though I’ll undoubtedly being doing the usual interview-esque things to coincide with the release in December and … Continue reading Folk Horror: Hours Dreadful and Things Strange (January, 2017)
Part 1. Part 2. Belief And Ritual. The power of belief and its will in the distortion of reality is one of Valerie‘s more crucial cinematic aspects. This isn’t simply a belief in the sense of a religious doctrine and all of the aesthetics that accompany it, but the moral belief of the main character whose fantasies dictate the narrative ruptures within the film. However, … Continue reading Valerie And Her Week Of Wonders (1970) – Duality Through Sound and Vision (Part 3).
The following article contains plot twists. Hysteria and Nigel Kneale’s Baby. A very particular and often quoted segment from Freud’s summations of hysterical patients will be used here to begin the contextualisation our analysis. Whilst writing about the generalities surrounding such cases of hysteria and eventually compulsion neurosis, Freud came up with a short but rather useful sound-bite to describe every patient he had seen. … Continue reading Technological Hysteria in Nigel Kneale’s The Stone Tape (1972).
Part 1. Part 2. Part 3. Narrative Functionality. The music of The Wicker Man, while having few boundaries in terms of the effect of its various functions on its narrative content, is split into several different types. For this section, the specific type of music to be looked at is the folk song; a form that makes several appearance in the film with original compositions … Continue reading The Music of Folk Horror – Part 4 (The Wicker Man’s Narrative Functionality).