Folk Horror: Hours Dreadful and Things Strange (January, 2017)

As recently announced, I have a book being released in January all about Folk Horror and its many related areas of interest.  The book has been in the works for the last year or so though many of the arguments within have been growing now for several years.  Though I'll undoubtedly being doing the usual … Continue reading Folk Horror: Hours Dreadful and Things Strange (January, 2017)

Valerie And Her Week Of Wonders (1970) – Duality Through Sound and Vision (Part 3).

Part 1. Part 2. Belief And Ritual. The power of belief and its will in the distortion of reality is one of Valerie's more crucial cinematic aspects.  This isn't simply a belief in the sense of a religious doctrine and all of the aesthetics that accompany it, but the moral belief of the main character … Continue reading Valerie And Her Week Of Wonders (1970) – Duality Through Sound and Vision (Part 3).

Technological Hysteria in Nigel Kneale’s The Stone Tape (1972).

The following article contains plot twists. Hysteria and Nigel Kneale's Baby. A very particular and often quoted segment from Freud's summations of hysterical patients will be used here to begin the contextualisation our analysis.  Whilst writing about the generalities surrounding such cases of hysteria and eventually compulsion neurosis, Freud came up with a short but … Continue reading Technological Hysteria in Nigel Kneale’s The Stone Tape (1972).

The Music of Folk Horror – Part 4 (The Wicker Man’s Narrative Functionality).

Part 1. Part 2. Part 3. Narrative Functionality. "Significantly, both for The Jazz Singer and the musical genre as a whole, much of the film's meaning is encoded in its music..." (Mundy, p.46, 1999). The music of The Wicker Man, while having few boundaries in terms of the effect of its various functions on its … Continue reading The Music of Folk Horror – Part 4 (The Wicker Man’s Narrative Functionality).