The Female Voice in Subversive Soundtracks of the Counter-Culture Era. After a recent viewing of Alan J. Pakula’s crime thriller, Klute (1971), something occurred at the back of my mind that connected the film with a number of others. At first, I struggled with my memory as to what exactly it was about the film that was bringing other films of the era to mind; … Continue reading The Female Voice in Subversive Soundtracks of the Counter-Culture Era.
What is the best way for a film to show the power of a character? Is it to retain the power within the narrative world and show it be all encompassing, or is it better to show it to have control over specific qualities of the medium itself? One of the best examples of this debate to be realised in cinematic aesthetics is in John … Continue reading Point Blank (John Boorman, 1967) – Rhythmic Footsteps and Diegetic Power.
This article contains spoilers. There are many aspects of distraction within Jerzy Skolimowski’s 1970 film, Deep End. Its highly sexualised, sometimes seedy narrative, its vast array of colours and its crisp, sharp direction are only a handful of its hyper-active eccentricities. Even David Lynch, a long-time pessimist about colour cinema, is on record as a fan of Deep End‘s array of powerful colours, and styles. … Continue reading Deep End (1970) and the Musical Emphasising of Narrative (Jerzy Skolimowski).
Nostalgia can manifest in many forms at the cinema. Sometimes it can be overt, sometimes it can be unconscious but film is most definitely the medium to explore its inner workings. A number of films have recently used sound, not just in an interesting way, but as a major part of the narrative and character focus whilst touching upon nostalgia. These range from the superb … Continue reading Silence (Pat Collins, 2012) – Landscape and Nostalgia.
This article contains spoilers. Though drenched in visual complexities and sharp, hap-hazard editing, Ingmar Bergman’s Persona (1966) is film that is aurally interesting as it is exhilarating to view. Its opening segment of film footage from all corners of cinematic life, spliced together to form a montage of passing thoughts and nightmares, is actually a beautifully put together piece of sound editing as well. This … Continue reading Persona (1966) – Consequences of a Silent World (Ingmar Bergman)