In one of the first attempts I made at canonising the sub-genre of Folk Horror, I likened the majority of its films to be brilliant but mere fugues on the ideas presented in Benjamin Christensen’s Häxan: Witchcraft Through The Ages (1922). Outside of Victor Sjöström’s The Phantom Carriage (1921), it was the earliest and most explicit form of the sub-genre that seemed to be surviving … Continue reading The Uncanny in Häxan: Witchcraft Through The Ages (1922)- Benjamin Christensen.
When whole continents of viewers believe you to have made your best and most accomplished film on your first go, two things can potentially happen. Arrogance can take a hold turning you into a useless artist or the burden or pressure to create something just as brilliant can cripple. For some reason though neither of these factors seem to have bothered Orson Welles too much … Continue reading F For Fake – Orson Welles (1973)