Roger Corman may be better known for pulpy B-movies but his work adapting Edgar Allen Poe for the big screen is uncharacteristically layered and has a depth that far outstrips films of a far more serious ilk. Almost all his Poe adaptations (excluding the fun but overall light The Raven) take Poe's original structure for … Continue reading The Masque of the Red Death (Roger Corman, 1964) – Kierkegaard’s Aesthetic Phase and Inverted Freudian Pleasure Principle (Part 1).
Article originally published in New Empress Magazine. Being old and generally more battered, silent horror has the unnerving sense of being a genuine piece of documentation. No doubt unaware of it at the time, Benjamin Christensen’s Häxan: Witchcraft Through The Ages (1922) is a film that so embodies this accidental aspect that viewing it perhaps recalls … Continue reading A Brief History of Occult and Folk Horror.
Roger Corman’s work has been often been described as schlock film; a pulpy mass of horror, sci-fi and B-movie nonsense of only vague merit and achievement. Excluding his actual films for a minute, looking at the number of people who have developed under the man’s wing, whether as a producer or director, is quite astounding. … Continue reading The Fall Of The House Of Usher – Roger Corman (1960)
With its rather ominous opening, the viewer would perhaps be forgiven for thinking that Roger Corman’s adaptation of Poe’s The Raven would be in similar ilk to his other dark Poe films. What at first seems like yet another gothic retelling of a Poe classic turns out to be a swiftly delivered curve ball that … Continue reading The Raven – Roger Corman (1963)
Following on from Hammer’s The Quatermass Xperiment, the company continued their desire for rating incorporated titles with 1956’s X The Unknown. It may perhaps hold the most unimaginative of Hammer’s titles but the film itself has some surprisingly good moments. The story follows an extremely similar route to its predecessor but certain tweaks allow more … Continue reading X The Unknown – Leslie Norman (1956)
One of Universal’s best efforts within the gothic tradition, 1941’s The Wolf Man is one of the studio’s best horror films from its golden era. Though its director isn’t well known for his horror, the success of this feature is no doubt down to borrowing certain stylistic elements from Universal’s most innovative horror director, James … Continue reading The Wolf Man – George Waggner (1941)
When looking into the history of film titles, there surely cannot be one more controversial and loaded than The Texas Chainsaw Massacre? It’s a vicious, daring piece of marketing that implies what’s in store is something altogether grim and deeply disturbing as well as graphically violent. Thankfully the film in question is far more intelligent than that and … Continue reading The Texas Chainsaw Massacre – Tobe Hooper (1974)