Mike Hodges’ debut feature film, Get Carter (1971), was one of the key shifts in British cinema of the period. With its total lack of hope, an earnest presence of violence and a hugely detailed topography, the film is one of the definitive shifts to the more gritty, unremitting cinema produced in the early Heath years alongside the likes of Stanley Kubrick’s A Clockwork Orange … Continue reading Interview: Mike Hodges on Get Carter (1971).
Alone, alone, all, all alone, Alone on a wide wide sea! And never a saint took pity on My soul in agony. He despiseth the creatures of the calm, The many men, so beautiful! And they all dead did lie: And a thousand thousand slimy things Lived on; and so did I. – Samuel Taylor Coleridge, The Rime of the Ancient Mariner. Paul Wright’s debut … Continue reading For Those In Peril (Paul Wright, 2013) – The Reality of Lore.
Though more famous and widely recognised for film restoration and archiving (for which he received an Academy Award for) Kevin Brownlow’s second shared feature film with Andrew Mollo, Winstanley (1975), is a masterpiece of traditional, historic cinema. It not only captures the feel of the era that produced an amalgamation of tradition-based horror cinema but showed that, through using a number of classical cinematic techniques, … Continue reading Winstanley (Kevin Brownlow and Andrew Mollo) – Landscape Politics and Folk Aesthetics.