Part 1 Part 2 Sound As Narrative The narrative ambiguity of Berberian begins to kick in during the last quarter of the film. The sound within the narrative gradually eases over the line and starts to become part of the narrative affecting a number of the characters and not simply Gilderoy. The first hint that the sound is entering reality comes when the previously abused … Continue reading Berberian Sound Studio – Part 3 (Sound as Narrative and Conclusions).
Part 1. The Sound of the Giallo There are certain facts about the Giallo sub-genre that critics enjoy repeating over and over again. It seems unlikely that viewers approaching Berberian will not know at least something basic about the genre yet it is still something that takes up such a large chunk of the analysis surrounding the film, there could be an argument for them … Continue reading Berberian Sound Studio – Part 2 (The Sound of the Giallo and Narrative Sounds)