Part 1. Part 2. Part 3. Part 4. Part 5. Part 6. Part 7. Part 8. Conclusions. “If its central characteristics remained immune to change, the ghost story did keep pace with the times through progressive modernization of settings and language.” – Cox (xix, 1991). From analysis of the BBC Ghost Stories, it is clear that the narrative function of the supernatural has a natural … Continue reading The Aural Aesthetics Of Ghosts in BBC Ghost Stories – Part 9 (Conclusions).
Part 1. Part 2. A “Disembodied Voice” of some form is a clear norm for representing a creature that, by its very definition, is now bodiless. This means that, as an aural technique, it is used frequently throughout many other ghost stories as well. In Lawrence Gordon Clark’s films, the aural trait occurs several times with different and varying effects, though never with the layered … Continue reading The Aural Aesthetics of Ghosts in BBC Ghost Stories – Part 3 (William Ager).
Part 1. The Aural-Thematic Ties In BBC Ghost Stories. “He first began to write the ghost stories for which he is now famous in late 1892 or early 1893 while he was a fellow of King’s. They were composed initially to be read aloud in his college rooms as a Christmas treat for his friends.”- Oliver (p.15, 2012). When looking at the source material for … Continue reading The Aural Aesthetics of Ghosts in BBC Ghost Stories – Part 2 (The Disembodied Voice).
Manifesting The Supernatural: The Aural Aesthetics Of Ghosts In BBC Ghost Stories. Introduction. “When Monty first began to write them, with the intention of inducing a pleasing terror in his listeners, he did so as an avid and discerning reader and connoisseur of the genre, keenly aware of his precedents and of the characteristics, objectives, and limitations of the ghost story as he understood the … Continue reading The Aural Aesthetics of Ghosts in BBC Ghost Stories – Part 1 (Introduction).
This review contains minor spoilers. The final instalment of the BBC Ghost Stories sees a return to form from the haphazard final days of the original 1970s specials. Though, as previously discussed in the review of Volume 1’s 2012 adaptation of Whistle And I’ll Come To You, recent attempts to carry on the tradition is automatically up against a monumental past whose shadow is hard … Continue reading BBC Ghost Stories – Volume 5 (A View From A Hill, Number 13) BFI.
Volume 4 of the BBC Ghost Stories At Christmas is a mixed bag of the eerie and the spooky. Housing the last three instalments of the classic series before it ceased until its revival in 2005, it’s a must buy for one of the stories but its other two instalments wobble its consistency. The most appealing aspect of this release is that it contains possibly … Continue reading BBC Ghost Stories Volume 4 (The Signalman, Stigma, The Ice House) – BFI
The third volume of the BBC Ghost Stories, restored and released by the BFI, is perhaps the darkest set of stories to come out of television adaptations yet. This release sees the last of Lawrence Gordon Clark’s screen transformations of the stories of M.R James before the director went on to adapt stories by the likes of Charles Dickens and even commission entirely new tales … Continue reading BBC Ghost Stories Volume 3 (Lost Hearts, The Ash Tree, The Treasure Of Abbot Thomas) – BFI
This review contains spoilers. The second release of the BBC Christmas ghost stories finds the real birth of it as a staple of the wintery Christmas nights of the 1970s and showcases the first two of five serials by Lawrence Gordon Clark. Though both of the stories are again M.R James adaptations the connecting factor here, apart from being chronologically accurate, is the inclusion in … Continue reading BBC Ghost Stories – The Stalls of Barchester/A Warning To The Curious (1971/1972)