Diary (2010) – Tim Hetherington (Open Eye Gallery).

An exhibition of Tim Hetherington’s excellent, emotionally charged photography work is currently on display at Open Eye Gallery. Whereas a whole exhibition of high standard work would usually warrant an long, blow-by-blow review, there is a piece currently on display there that not only sums up the whole show but also requires a full and proper write-up all of its own. The piece is a … Continue reading Diary (2010) – Tim Hetherington (Open Eye Gallery).

Ai Weiwei’s Pots and Jean-Luc Godard’s Celluloid.

While Ai Weiwei’s work with pots represent the artist’s more accessible work, there’s something about his actions and decisions with the, often expensive and historically relevant, pots that seem weirdly cinematic.  This isn’t to say that they look like something out of a film (though actually they could easily work as something surreal given the right audience) but that the ideologies behind the works have … Continue reading Ai Weiwei’s Pots and Jean-Luc Godard’s Celluloid.

The Universal Addressability of Dumb Things – The Bluecoat (Mark Leckey).

The question of what exactly can be classed as art is one that is becoming increasingly dominant a topic in our post Brit-Art age.  While this is often explored within specific works by artists, it is unusual to find an artist laying claim to an object’s greater meaning when the said object isn’t created by them.  Turner Prize winner Mark Leckey, has created an exhibition … Continue reading The Universal Addressability of Dumb Things – The Bluecoat (Mark Leckey).