I first came across Cindy Sherman’s photographic series, Untitled Film Stills (1977), when looking for photos of film noir titles. The series is designed around fakery, seeking to recreate the feeling of stills from 1950s and 1960s American films but also, in producing the illusion with general key-notes as to the roles of women in these films, comment upon the basic norms prescribed in Hollywood … Continue reading Responses: Cindy Sherman’s Untitled Film Stills (1977)
Mishka Henner appears to be a photographer that seeks out new meanings within culture and already defined norms; seeking out these new perspectives by literally looking at them from a geographically different view point. His work is of an extremely modern nature, very obviously influenced by the age of globalisation and force-fed by internet and digital culture. The images are literally bursting with allegory, desperate … Continue reading Mishka Henner + Edith Tudor-Hart – Open Eye Gallery.