Some directors are very natural in their status as crowned auteur; their films always seemingly a product of their own conception which seems unavoidable to visually mistake. Seeing all of Andrei Tarkovsky’s films, this is perhaps clearer to see than most other directors. His distinctive visual style, which morphs into several similar variations, is instantly recognisable. Dripping with faded lights, distinct textures and elemental forces, … Continue reading Andrei Tarkovsky – Polaroids, Mementos and Time.
Writing about a film such as Andrei Tarkovsky’s Stalker is not an easy task. Anyone with a pure and honest love for cinema will find Tarkovsky’s work in general to be awe inspiring, perhaps even approaching cinematic perfection. Stalker is something so ambitious in its message and graceful with its visuals, watching another film after it can be extremely trying, yet simply waxing lyrical about it wouldn’t do … Continue reading Stalker – Andrei Tarkovsky – (1979)