Tag: andrei tarkovsky articles

Film, Landscape

The Forests Of Ivan’s Childhood (1962) – Andrei Tarkovsky.

For a film about war, Ivan’s Childhood (1962) by Andrei Tarkovsky dwells quite unexpectedly upon the natural landscape of its narrative.  At first, this might seem somewhat unsurprising; after all, most films set during war often make use of the battered terrain of the landscape, if only to show the fallout and power of the weaponry available.  Ivan’s Childhood does more than this and contains … Continue reading The Forests Of Ivan’s Childhood (1962) – Andrei Tarkovsky.

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Film, Film Music and Sound

Elemental Chaos and Eternal Return in Scriabin and Andrei Tarkovsky – Part 4 (Zarathustra).

Part 1. Part 2. Part 3. The Eternal Return and Zarathustra’s Gift. “-and must we not return down that other lane out before us, down that long, terrible lane – must we not return eternally?” – Nietzsche (1883/1986, p.241). The final section of this argument refers back to Nietzsche and his writing on the Eternal Return.  His work on the subject, both philosophically in The … Continue reading Elemental Chaos and Eternal Return in Scriabin and Andrei Tarkovsky – Part 4 (Zarathustra).

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Film, Film Music and Sound

Elemental Chaos and Eternal Return in Scriabin and Andrei Tarkovsky – Part 5 (ANS Synthesiser + Conclusions).

Part 1. Part 2. Part 3.  Part 4. The ANS Synthesiser and the Final Parallel. “Has man any hope of survival in the face of all the patent signs of impending apocalyptic silence?” Tarkovsky (1987, p.229) Scriabin and Tarkovsky have a final meeting place outside of the philosophical.  This meeting, on the one hand, seems almost to be coincidental but further inspection suggests that it is … Continue reading Elemental Chaos and Eternal Return in Scriabin and Andrei Tarkovsky – Part 5 (ANS Synthesiser + Conclusions).

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Film, Film Music and Sound

Elemental Chaos and Eternal Return in Scriabin and Andrei Tarkovsky – Part 3 (Natural and Cyclic Rejuvenation)

Part 1. Part 2. Natural Forces and Cyclic Rejuvenation. “Critical neglect of this reference to Nietzsche is even more puzzling, however, when one considers that Nietzsche’s doctrine of the Eternal Return is a philosophical re-interpretation of the theme of Time for Time was, after all, a major obsession with Tarkovsky. As is well known, Tarkovsky’s preferred way of characterizing the art of filmmaking was as … Continue reading Elemental Chaos and Eternal Return in Scriabin and Andrei Tarkovsky – Part 3 (Natural and Cyclic Rejuvenation)

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Film, Film Music and Sound

Elemental Chaos and Eternal Return in Scriabin and Andrei Tarkovsky – Part 2 (Chaos)

Part 1. Elemental Chaos. “The Mountains, Fields, Meadows, Forest, and Wilderness of the Preparatory Act text symbolize the mineral kingdom and natural kingdoms of the Earth, the first three “Rounds” of the Wheel of Cosmic life.” (1998, p.303) – Stephen Morris. It is not revolutions and upheavals That clear the road to new and better days, But revelations, lavishness and torments Of someone’s soul, inspired … Continue reading Elemental Chaos and Eternal Return in Scriabin and Andrei Tarkovsky – Part 2 (Chaos)

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Art, Film, Landscape

Andrei Tarkovsky – Polaroids, Mementos and Time

Some directors are very natural auteurs. Their films always seemingly a product of their own conception which seems unavoidable to visually mistake. Viewing all of Andrei Tarkovsky’s films, this is perhaps clearer to see than in the case of most other directors. His distinctive visual style, which morphs into several similar variations, is instantly recognisable. Dripping with faded lights, distinct textures and elemental forces, his … Continue reading Andrei Tarkovsky – Polaroids, Mementos and Time

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