Analysis of Sound and Music in Alfred Hitchcock’s Psycho (1960) – Part 3 (Acousmatic Concepts)

Part 1. Part 2. Emphasis on Acousmatic Concepts in Ross J. Fenimore's "Voices that Lie Within". "Psycho almost didn't happen.  This is a unique case of music literally saving a film." - Sullivan (2006, p.246). Like much literature around Psycho, Fenimore's "Voices That Lie Within" begins its argument with setting the scene. "Psycho begins with … Continue reading Analysis of Sound and Music in Alfred Hitchcock’s Psycho (1960) – Part 3 (Acousmatic Concepts)

Analysis of Sound and Music in Alfred Hitchcock’s Psycho (1960) – Part 1

Sound and Music in Alfred Hitchcock's Psycho and its Different Readings. Introduction. "If Psycho had been intended as a serious picture, it would have been shown as a clinical case with no mystery or suspense.  The material would have been used as the documentation of the case history.  We've already mentioned that total plausibility and … Continue reading Analysis of Sound and Music in Alfred Hitchcock’s Psycho (1960) – Part 1