Few directors have had their relationship with music analysed as much as Alfred Hitchcock. His natural ability to select the right composer to almost brand his films aurally has often meant that the musical scores have become synonymous with his filmmaking style even though they have been created by several different composers over the years. With this context then, Hitchcock’s 1963 film, The Birds, seems … Continue reading Sounds of The Birds (1963) – Alfred Hitchcock.
Part 1. Part 2. Emphasis on Acousmatic Concepts in Ross J. Fenimore’s “Voices that Lie Within”. “Psycho almost didn’t happen. This is a unique case of music literally saving a film.” – Sullivan (2006, p.246). Like much literature around Psycho, Fenimore’s “Voices That Lie Within” begins its argument with setting the scene. “Psycho begins with a theft.”(2010, p.80) he begins as so many often do. … Continue reading Analysis of Sound and Music in Alfred Hitchcock’s Psycho (1960) – Part 3 (Acousmatic Concepts)