The Persistance of Modernity in Japanese Film Scores – Part 2 (Ozu’s Floating Weeds)

Click for Part 1. Asian Values and Floating Weeds (Music by Saito)[i] Ozu’s later films are perhaps more grounded in the traditions of the Japanese family unit.  Their drama comes from an apparent change in value systems (often a systematic change to more western values) or the opposite of this where characters are bound rigidly by Asian tradition and are desperate to escape.  The music … Continue reading The Persistance of Modernity in Japanese Film Scores – Part 2 (Ozu’s Floating Weeds)

The Persistence of Modernity in Japanese Film Scores – Part 1 (Ozu, Tradition and Silent Film)

The Persistence of Modernity in Japanese Film Scores. Introduction The scores and music produced for Japanese cinema highlight a constant change of values within the country; a relationship rarely mirrored so accurately in the cinema of anywhere else.  Whereas the film scores of other countries can be looked at as a product of the trends and studio directions, the evolution and changes found within the … Continue reading The Persistence of Modernity in Japanese Film Scores – Part 1 (Ozu, Tradition and Silent Film)

Tokyo Story – Yasujiro Ozu (1953)

Tokyo Story is one of those films that always comes up in “greatest films ever made” polls and probably always will, yet ask even regular film fans and half have never heard of it never mind it’s genius of a director Yasujiro Ozu. This is a sad case for a film held in such high esteem in critic circles yet it’s a trend that will probably … Continue reading Tokyo Story – Yasujiro Ozu (1953)