South Korean Film Scores and Ease of Distribution – Part 4 (Asia Extreme and Westernisation)

Part 1. Part 2. Part 3. Asia Extreme and the Westernisation of South Korean Film Music. The most popular avenue for South Korean cinema to enter the West, outside of the art-house festival circuit, is in the form that has loosely been dubbed “Asia Extreme”.  This isn’t just South Korean film but also Japanese cinema … Continue reading South Korean Film Scores and Ease of Distribution – Part 4 (Asia Extreme and Westernisation)

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South Korean Film Music and Ease of Distribution – Part 1 (Tradition vs. Globalisation).

Tradition vs. Globalisation: The Relationships between South Korean Film Music and Its Ease of Consumption and Distribution. Introduction  The Effect Of Globalisation Pressure On South Korean Cinema. “The core problem is no doubt that most of us in the West know little or nothing of Korea’s modern history.  It’s impossible to understand Korea’s artists without … Continue reading South Korean Film Music and Ease of Distribution – Part 1 (Tradition vs. Globalisation).

Festival (1996) and the Acceptance of Loss – Im Kwon-Taek.

Celebrating loss can be a difficult task even for the more optimistic of personas.  The idea of someone being physically and emotionally lost is not a pleasant experience which, at best can provide some cathartic character building in between the tears and complete incomprehension as to what exactly it means to live or die.  It’s … Continue reading Festival (1996) and the Acceptance of Loss – Im Kwon-Taek.

Collapsing Belief Systems and The Nietzschean Death – (Winter Light, The White Ribbon, The Turin Horse).

One of Friedrich Nietzsche’s more famous and strangely popular idioms is his “Death of God” theory presented through the madman in his 1883 work The Gay Science.  Though it has been used for all sorts of philosophical and theological purpose, often twisting it to fit whatever schematics the debater wants to shape it into, the … Continue reading Collapsing Belief Systems and The Nietzschean Death – (Winter Light, The White Ribbon, The Turin Horse).

Avant Godard! – Part 2, Musical Subversion (Bande à Part and Pierrot Le Fou)

Part 1. Ideas In Later Films By Godard. Godard would continue to subvert the role of record players in his work to similar but more extreme effects. It seems odd that the connecting factor to all the scenes mentioned is the presence of his, then wife, Anna Karina.  Godard is capable of presenting her dancing … Continue reading Avant Godard! – Part 2, Musical Subversion (Bande à Part and Pierrot Le Fou)

Aguirre, The Wrath of God – Werner Herzog (1972)

Werner Herzog is a dangerous director.  Not content with simply make believe, he appears to enjoy a masochistic relationship with actually putting himself through his own film’s narratives and challenges.  Perhaps he feels that it yields the best results but it’s obvious when watching any of his films that more blood, sweat and tears have … Continue reading Aguirre, The Wrath of God – Werner Herzog (1972)

Vampyr – Carl T. Dreyer (1932)

Carl Theodor Dreyer is one of the more gentle directors to rise from the Scandinavian art house and a man who’s work in general showcases a sensuality and delicate touch that would leave many of his contemporaries completely enamoured.  With the exception of his often-praised emotional tour de force La Passion de Jeanne d’Arc, Vampyrcomfortably stands as the … Continue reading Vampyr – Carl T. Dreyer (1932)