Part 1. Part 2. Part 3. Part 4. Part 5. Part 6. Part 7. Part 8. Conclusions The aim of this assessment of music in film about the British working class was initially construed to highlight which of the uses discussed was the most critically honest. The obvious chronological order of the films was originally … Continue reading The Use of Sound and Music in Film About the British Working Class – Conclusions (Part 9).
Part 1 Part 2 Part 3 The Loneliness of the Long Distance Runner. The Metaphorical Use of Diegetic Sound and Music. The Loneliness of the Long Distance Runner has several different uses of sound; two of which aren’t musical. The title perhaps gives a hint that the sound of running feet on a hard ground … Continue reading The Loneliness of the Long Distance Runner – Use of Music and Sound In British Working Class Film (Part 4).
Part 1. Part 2. Metaphorical Music and British New Wave Film. “But who could describe the delicious sensation produced in me by the delicate harmony and angelic singing of that song which finally did! What an awakening, what bliss, what ecstasy when I opened my ears and my eyes together!” (Rousseau, 1781, p.294). British New … Continue reading The Use of Sound & Music in British Working Class Film – Part 3 (British New Wave Cinema).
Propaganda, Metaphor And Nostalgia: Sound And Music In Cinema About The British Working Class. Introduction – Class and the Arts “The collective function of music has become transformed into the function of ensnaring the customer.” (Adorno, 1947, p.61). Class is an ever pervasive issue in British society. While manifesting into many forms around the world, … Continue reading Sound And Music In Cinema About The British Working Class (Part 1).