South Korean Film Scores and Ease of Distribution – Part 5 (Blades of Blood and Conclusions)

Part 1 Part 2 Part 3 Part 4 Blades of Blood (2010) – Joon-Ik Lee Joon-ik Lee’s 2010 film Blades of Blood shares a number of similarities with both the previously mentioned examples. The film is a modern, violent period picture based on a graphic novel. It is stylistically similar to Oldboy, especially within its … Continue reading South Korean Film Scores and Ease of Distribution – Part 5 (Blades of Blood and Conclusions)

South Korean Film Scores and Ease of Distribution – Part 2 (Im Kwon-Taek and Seopyeonje).

Part 1. Im Kwon-Taek – Reluctant Traditionalist or Radical Experimenter? “Despite its ideological shortcomings and male-centred stance, Im’s cinematic sublimation of ‘Korean-ness’ still focuses on the contradictions between tradition and modernity among precarious lives existing on the periphery of a capitalist society.” (Lee, 2005, p.69) It is somewhat difficult to gage the cultural impact of … Continue reading South Korean Film Scores and Ease of Distribution – Part 2 (Im Kwon-Taek and Seopyeonje).

South Korean Film Music and Ease of Distribution – Part 1 (Tradition vs. Globalisation).

Tradition vs. Globalisation: The Relationships between South Korean Film Music and Its Ease of Consumption and Distribution. Introduction  The Effect Of Globalisation Pressure On South Korean Cinema. “The core problem is no doubt that most of us in the West know little or nothing of Korea’s modern history.  It’s impossible to understand Korea’s artists without … Continue reading South Korean Film Music and Ease of Distribution – Part 1 (Tradition vs. Globalisation).

The Persistence of Modernity in Japanese Film Scores – Part 3 (J-Horror, Kwaidan and House)

Part 1 Part 2 J-Horror and the Balance of Traditional and Modern Asian Music (House and Kwadian) The term J-Horror is often used within the critical evaluation of modern day Japanese film, usually to denote the success of two low budget horror films; namely Ringu (1998) and Ju-On (2002).  It is somewhat of a misnomer … Continue reading The Persistence of Modernity in Japanese Film Scores – Part 3 (J-Horror, Kwaidan and House)

The Persistence of Modernity in Japanese Film Scores – Part 1 (Ozu, Tradition and Silent Film)

The Persistence of Modernity in Japanese Film Scores. Introduction The scores and music produced for Japanese cinema highlight a constant change of values within the country; a relationship rarely mirrored so accurately in the cinema of anywhere else.  Whereas the film scores of other countries can be looked at as a product of the trends … Continue reading The Persistence of Modernity in Japanese Film Scores – Part 1 (Ozu, Tradition and Silent Film)