Celebrating loss can be a difficult task even for the more optimistic of personas. The idea of someone being physically and emotionally lost is not a pleasant experience which, at best can provide some cathartic character building in between the tears and complete incomprehension as to what exactly it means to live or die. It’s … Continue reading Festival (1996) and the Acceptance of Loss – Im Kwon-Taek.
Click for Part 1. Asian Values and Floating Weeds (Music by Saito)[i] Ozu’s later films are perhaps more grounded in the traditions of the Japanese family unit. Their drama comes from an apparent change in value systems (often a systematic change to more western values) or the opposite of this where characters are bound rigidly … Continue reading The Persistance of Modernity in Japanese Film Scores – Part 2 (Ozu’s Floating Weeds)
Every ten years, the most respected and articulate of film magazines, Sight and Sound, runs a poll voted for by the directors and critics of our time for their ten favourite films. This coalesces into a poll of fifty films and yesterday these were announced a long with a live tweet countdown of the apparent top ten … Continue reading Sight & Sound Film Poll 2012 In Detail.
As a race of individual people, trying to find out where our characteristics came from can be a difficult task. More specifically, trying to deduce whether we gained emotional characteristics on our own or whether they were influenced by outside factors (also meaning that these outside factors have in fact been effected by our emotions … Continue reading Film Scores and the Social Construction of Emotions (Kurosawa and Ozu) – Part 1.
Tokyo Story is one of those films that always comes up in “greatest films ever made” polls and probably always will, yet ask even regular film fans and half have never heard of it never mind it’s genius of a director Yasujiro Ozu. This is a sad case for a film held in such high esteem … Continue reading Tokyo Story – Yasujiro Ozu (1953)