The Use of Sound and Music in Film About the British Working Class – Conclusions (Part 9).

Part 1. Part 2. Part 3. Part 4. Part 5. Part 6. Part 7. Part 8. Conclusions The aim of this assessment of music in film about the British working class was initially construed to highlight which of the uses discussed was the most critically honest. The obvious chronological order of the films was originally … Continue reading The Use of Sound and Music in Film About the British Working Class – Conclusions (Part 9).

Distant Voices, Still Lives – Nostalgia and Hardship Through Sound & Music (Part 1).

Part 1. Part 2. Part 3. Part 4. Working Class Pasts – Nostalgia and Past Hardship Through Sound and Music. “Since the 1970s especially, the tendency has grown for directors to indulge their own musical tastes in scoring a film” (Gorbman, 2006, p.17). Distant Voices, Still Lives (1988) – Differences in Time. Terence Davies’ autobiographical … Continue reading Distant Voices, Still Lives – Nostalgia and Hardship Through Sound & Music (Part 1).

The Use of Sound & Music in British Working Class Film – Part 3 (British New Wave Cinema).

Part 1. Part 2. Metaphorical Music and British New Wave Film. “But who could describe the delicious sensation produced in me by the delicate harmony and angelic singing of that song which finally did! What an awakening, what bliss, what ecstasy when I opened my ears and my eyes together!” (Rousseau, 1781, p.294). British New … Continue reading The Use of Sound & Music in British Working Class Film – Part 3 (British New Wave Cinema).

The Use of Sound & Music in British Working Class Film – Part 2 (This Happy Breed – David Lean)

Part 1. Propaganda and David Lean’s This Happy Breed. “The war years saw a revival of English romanticism in response to the need for an idealized reaffirmation of British history and shared values (as perceived within the dominant ideology) and, on the other, for the release into fantasy and dream to relieve the stress, hardship, … Continue reading The Use of Sound & Music in British Working Class Film – Part 2 (This Happy Breed – David Lean)

Sound And Music In Cinema About The British Working Class (Part 1).

Propaganda, Metaphor And Nostalgia:  Sound And Music In Cinema About The British Working Class. Introduction – Class and the Arts “The collective function of music has become transformed into the function of ensnaring the customer.” (Adorno, 1947, p.61). Class is an ever pervasive issue in British society. While manifesting into many forms around the world, … Continue reading Sound And Music In Cinema About The British Working Class (Part 1).